Reading:
        PThe Nightingale and the Rose, Oscar Wilde

        Audiobooking:
        The Sorrows of Young Werther, Goethe


        Watching:
        Farscape


        Doing:
        Way behind on all crochet.
        It is NaNoNovember!






        anandadaydream's Profile Page



        blogger profile
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        desert songs
        amaranth and jasmine
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        Amaranthus, continued (NaNoWriMo 2010)
        untitled (2009)
        untitled (2008)
        Amaranthus (NaNoWriMo 2007)
        untitled (2006)
        Beneath the Dust (2005)
        Mortal Angel (2005)

        quid pro quo
        modernday phoenix
        life of a naturefreak

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        the dreamer
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        101 cookbooks
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        the hunger site
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        the ONE campaign
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        the quote lists:
        2004-2005
        summer 2004
        2003-2004
        (rest to come once I get them online again~)


          the massive archives:
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8.04.2009
 
I need a brandname.

I've been toying with the idea of selling my art for ages. I'm near enough now that I was looking at what it costs to get little fabric tags with your name on it (reasonably cheap, unless you want your own design, boo). But, I need a name for my stuff.

I want something that can be consistent across everything I do, since it's always changing, so a generic kind of name for an etsy shop, a website, to put on tags on my crochet work, whatever. I sign my real name on my drawings, I go by Ananda Daydream on most websites, my last name will be changing somewhere in the next few years (HINT HINT Mr. Thomas)... I need something else. And I like a general name better anyway.

I asked Tom for ideas a few nights ago, and he rambled on for about half an hour. Unfortunately, his conclusion was...HA! I TOLD HIM I'D NEVER REMEMBER IT!!! crap. what was it? Yigotz. That was it. Which, for many reasons, would be an awesome brand name for something on the internet. But would not work for me.

Along the way though, he threw out a handful of interesting names, and then described the concept he was working around. From his perspective, the common thread that runs through all of my art, is... well basically a spiritual nature, something "celestial" was his word. Something otherworldly. And I totally agree with that - I love the idea of twilight, of that misty area halfway between dreaming and waking, I love the idea of ghosts, and that the past is layered on all the things we've touched, and the people who lived before us touched. The whole concept of Beneath the Dust, my capstone project, really did pretty well at reflecting the way I see things. Even in my crochet, there's a bit of fancifulness, and then too, I really love the idea that when you're making something by hand, your thoughts and your emotions are worked into it. Every time I pull the crochet hook through the yarn and make a knot, there's a little wisp of my thoughts caught in the fibers... so the whole concept of prayer shawls, and of binding up your good wishes for someone in the blanket you've made them, I really love. (So all of you getting crochet goodies from me - I really do put all of that into what I've made you. :)

Unfortunately, Tom is a scientist, and I am an artist, so I can't use words like "brain" in my brand. But I love that concept of duality, that there's another layer to the world around us, and I'd love to play off of that.

And, of course, there are my flower lists - remember, the ones I've been drawing off of for all my Phisto things for like, oh god, four, five years now? I started skimming through my list of flower meanings, trying to find a flower that I love (preferably one I feel an attachment to, or have some association with), that has a meaning that suits. The various meanings of Dianthus unfortunately don't suit, though I love the sound of the name as well as the flower... my current favorite is Osmunda, which is fern, and means "dreams", or "I dream of thee".

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Life is, as ever, superbusy. Being summertime, there's all kinds of things I want to go out and do, and Tom has been incredibly indulgent to my out-and-about whims lately. I dragged him out to the Charcoal Corral, where we had a quite nice afternoon (after he stopped being angry about my bad direction-giving...oops). Last week, I dragged him to the county fair, where I had wine ice cream (AMAZING) and bought some handmade glass necklace pendants. And there were mohair goats! They're the scruffliest looking things I have ever seen (Tom called them hobo-goats), but... well let's just say I was haaard-pressed to not go see what was going on at the hand-spinning booth. My yarn addiction is bad enough as it is, I do NOT need to let myself get into hand-dying and spinning and everything else.

The store is only now starting to slow down a bit, it's been the busiest summer there. Yesterday was the first day in probably two months I didn't have any printwork waiting for me when I got there. (So I cranked out like eight new banner template layouts - one of these days I need to post them here, because some are seriously awesome.)

Crocheting like a madwoman still: blanket for a (slightly belated) wedding gift, blanket for Tom's birthday, my half-finished skirt, and whatever random little bracelets necklaces hairthings caught my eye that day.

Cooking lots: Heidi's Marathon Cookies (anise and lemon and sesame seeds what?) are my current spazz. Also Mom visited me and brought a toooooon of spice-store goodies. I now have three different kinds of couscous! Awesome. I kind of hashed two recipes together to get a fantastic summer lunchfood, couscous with olive oil, lemon juice, lots of cucumber, and some mix of parsley and dill and things, that sort of thing. Keeps beautifully in the fridge for like a week. (I have learned that tomatoes, sadly, do not keep for crap once they've been cut up. boo.)

And! I have, randomly, been drawing! It's been ages. But there's now a big official super-thorough Lynda.com tutorial for Blender - which is the open-source (and FREE) 3D modeling program. Thus, Tom has been completely absorbed for close to a week, trying to learn this beast of a program. However, he wanted to try modeling something other than the examples included - which means he needed a drawing to work from.

...so I've learned loads already about the modeling process, and what exactly is needed in a t-pose sketch. It is FREAKING HARD, mainly because it involves a lot of things like lining things up straight, using grids, and making definite lines - y'know, all the kinds of things I'm usually awful at.

But while making myself a new shopping list notepad last week (I threw together some simple designs in Photoshop, picked up some pretty paper at work, printed, cut, glued, voila! adorable little notepad!), I drew the cutest little fairy in like ten, fifteen minutes.

Just a sketch, but despite how rough I kept it, she had a bit of personality. So, going off of that, I made up a character for Tom. That character is no longer a fairy, she's somewhere between an ancient Greek chick and a gypsy, but she's cute.

Tom, on seeing the character, was not as horrified as I'd feared. (She wasn't really what I'd had in mind to make him, but, she's what happened.) In giving me some pointers on what changes to make in future, telling me what would work best for him...I realized that what he was talking about was that he, like me, needed the girl's actual body, to layer the clothes onto, to make things work nicely. "Wait... I have that! Hang on, it's in one of these layers..."

The first couple of layers I did, my little chick was naked, so I could get proportions right and things. Being the layer psychopath that I am, they were still in there. A bit of clean-up work, and Tom had his sketches! (So I'll go back and refine the clothes when he's nearer to needing them.)

Teasers:
   
(I was focusing on the elements I figured Tom would need the most, and sketched in a few contour lines that I think might help. Also: it took me FOREVER to get that girl's profile right! ugh that was awful. I had to go search the interwebs for pictures, and then tweak the hell out of what I was looking at to fit the character I was trying to draw... but I'm REALLY psyched about the results.)

...it's a very strange, and somewhat amazing, thing, seeing what someone else does with what you've started. He's gotten as far as a semi-refined model of the body (not the head, I had to re-draw that in more detail today), and it is seriously freaking cool, recognizing the particular curves I drew in this grey stack of polygons.


Rambling aside! After putting in some more work on my girl's face, I decided to go back to my original rough little fairy sketch. Somehow or another, she got super-colorful (probably due to the style of the t-shirts I'm dying to buy)...and I am SO happy with the way the coloring worked out. I'm totally in love. It's very freeing, letting things keep some rough edges. And I actually think it adds a lot, I like this much better than the exacting sort of detailing I've done in the past, there's more motion to it, it's a lot lighter. (Also, I can actually FINISH a drawing, instead of letting it sit around half-finished because I'm too intimidated by it.)

No I have no idea why she's blue-green. I just liked the color. ;)

Full-drawing, and also a desktop-size cropped version.

   

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